But - and this is always the rule with T.I. starts out talking like he’s still back in The Trap (“All you rap niggaz roll out / I trap when it’s cold out / Wet niggaz clown / But I stay down till I’m sold out”), it’s easy to think that maybe he’s just focusing on his old “exciting” life because it’s more likely to sell.
So when the record opens with the title track (isn’t that how all records should open, really?), and T.I. These terms will all come in handy later. Sometimes, these friends are called “Dope Boys”. Also: “The Trap” is the drug spot where he and his friends used to sling rock and weed and everything else that they could sell. But his skill as a songwriter hadn’t gone unnoticed, and he’s made some big fat money from writing songs for others, including a bunch of stuff on Bow Wow’s record, and now he has a big mansion in the suburbs. and released an album that went nowhere despite being produced by the Neptunes. back in the day, before he got signed and the label was worried that he was going to be confused with Q-Tip, so he became T.I. Plus, his rhymes are just tighter than anyone else’s, and his choruses and hooks are more memorable than anyone else’s. is also innovative and passionate and examines his life and his past intelligently, and does it all in the context of Atlanta gangsta rap - a genre that I’ve been guilty of underestimating, by the way, and that’s not going to happen anymore.
#TI TRAP MUZIK ZIP SHAREBEAST FULL#
This is the best hip-hop album of the year, as far as I can hear, and that is quite an accomplishment in a year full of innovation (Bubba Sparxxx) and intelligent self-examination (Lyrics Born) and passion (Killer Mike).
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